Best Light Modifier For Headshots

Hair especially dark hair soaks up an incredible amount of light and doesn t bounce back much.

Best light modifier for headshots. The only drawback is that you can t tilt it so i cheat and just tilt the hot shoe mount and let some light leak out the bottom of the orb when i have the diffusion panel on the front. Sal will show you three of his most popular lighting setups for headshots. Today business people have needs that extend far beyond traditional business cards. The light and modifier i use most often in this situation is a canon 600ex rt speedlite and a speedbox 70 from xp photogear.

Whatever you use this is your main light. Social media linkedin websites marketing material and more. With the subject seated which makes shooting volume much easier position your light about arm s length from the subject and angled directly across the face perpendicular to. I can use a medium sized softbox to shoot a great portrait or even a full length shot with just a little light falloff from the shins to the feet.

It is important to understand what a light modifier is and how it will impact your portrait lighting or headshot photography. Natural light strobes and constant light. We are using a gray seamless for this shoot just to give it a slightly different look from the typical white background in a peter hurley headshot. Beautiful headshots can be produced with three lights and a reflector.

This modifier is inexpensive and a great value since this kit comes with a light stand and a shoe mount. Umbrellas softboxes brolly boxes and beauty dishes are all important. As you can see this is a one light one reflector set up that is completely unobtrusive to the subject is quick to rig up and with a large octabox modifier produces a very flattering light. There s more to headshots than white backgrounds.

At 1 200th of a second f 8 and iso 100 we took each of the following shots on our canon 5d mark iii equipped with the canon 24 70mm f 2 8 mark ii lens. Softboxes are my modifier of choice when i want a soft directional light and i want to be able to control how much of that light is going to fall on my background. I shoot hundreds of headshots per year using this simple setup. At f 8 and iso 100 we are maximizing lens detail and the color dynamic range of the camera.